![]() All I know is it was a insta pre purchase for me the minute that became available. Easily visualize multiple tracks with different clip lengths simultaneously, as each track’s playbar indicator moves independently in relation to others."įunny how there’s people trying to pick out and foresee the shortcomings that this BAM environment will have. Turn your ideas into drum loops in seconds, with the easy-to-use up to 256 step sequencer interface. Step up your rhythm game and make beats in minutes with the BAM - Beat Maker & Music Maker step sequencer. all we can do is just report any crash with description and crash log - that’s our part of job (i mean us who are trying can you tell me if those BAM spreadsheet boxes are limited to 16 bars (256 steps) like in Drambo? Yeah they need work more on stability but it’s better and better with every new beta release. ![]() Maybe it's just my iPad and Imaginando apps do not appear to play well on it at all, but then again almost never have issues with any other apps. ![]() It still seems very crash prone and I got multiple crashes within minutes of doing some fairly basic tasks. The larger concern is that with the pre-order announced, is the implication that its close to release ready, because that has not been my experience with the beta. That's one great thing about iOS though, that there is now enough choice and enough alternatives for different applications. The Transmutation section has a pleasing Erlenmeyer flask graphic, which can be used.I like the UI a lot, I won't say it's better or worse than Grooverider or Drambo etc and each has its place. There’s also the option to fill in the blanks with a pseudo‑random note generator. There is a set of traditional scales, and a set that’s geared specifically towards acid melodies. The sequencer can be set to adhere to a number of different scales, and it’s possible to enter custom scales (with probabilities set for each note). It’s effectively independent control of the ‘last step’ position for each of those parameters, so that you can set a sequence going where the notes to which slide, for example, is applied drifts over time, to create interesting variations. This allows the number of steps before the end of the loop to be set independently for octave select, notes, slide, accent and vibrato. More on the Modulation and Effects in a moment, but first let’s turn to the original 303’s greatest flaw (or greatest asset, depending to whom you speak) - the Sequencer.Ĭlicking the Advanced button reveals tabs for the sequencer, modulation and effects pages.Īcid V’s grid sequencer works much as you’d expect, but has some interesting features including ‘Polymetric’ mode. One for an update, perhaps?Īfter locating and pressing the Advanced button you’re presented with tabbed pages for Sequencer, Modulation and Effects. It would be useful if there was a keyboard shortcut to flip from one mode to another. One slightly bothersome detail is that the ‘Advanced’ button is used frequently to flip between the front‑panel view and the sequencer view, but it’s also the tiniest button, far, far away in the upper‑right corner of the window. I was slightly unsure of the glowing green rings around the knobs at first, but they provide a good visual feedback when connected to the various modulation sources. The interface is nice and clear throughout, although I do hope that with repeated use the silver paint wears off around the cutoff knob as with the original. Gone, though, is the infamously difficult sequencer, replaced with a grid system that makes the note entering and editing process very easy and offers sequences of up to 64 steps. Vibrato can be assigned to notes in the same way as the traditional accent and glide. These are for distortion, which makes it easy to jump right into high‑energy screaming acid leads without having to search for a non‑flat 9V battery for that orange Boss pedal a sub‑oscillator with octave shift and a choice of waveforms and a vibrato section with depth and speed controls. You may have already noticed the addition of several extra knobs to the front panel. With all of the important original features dutifully included, new sequencing, modulation and audio capabilities have also been added. Arturia have another classic on their long list of software synths: a special little squelchy box.Īcid V is a software emulation of the ever popular Roland TB‑303.
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